Exploring the art of knitting in Rhode Island, Connecticut, Massachusetts, New Hampshire, Vermont, and Maine.
Sunday, September 11, 2016
Gnomenclature
On the whole it's been a semi-rancid summer, except for the tomato harvest, still rolling in. As we ebb into autumn, my favorite season, I'm hoping for many resolutions of problem situations such as sweltering, semi-tropical humidity in New England, pesky health issues, and feelings of inertia and lassitude prompted, no doubt, by climate change and personal decrepitude. (And the death of a dearly-loved pet--Molly, the silver-cream Persian, just last week, of cancer--and the constant regurgitation of election 2016 news...that's so...completely...depressing....)
Is it any wonder that I can't decide what to knit just now? Should I commit to a large project, like a sweater, or continue to enlarge my wardrobe of scarves, hats, and mittens? These are the existential questions I ponder and fail to answer.
So, betwixt and between, I've taken to knitting faceless little gnomes. They are stash-busters, and just as appealing is the swiftness of their creation--approximately the length of two Masterpiece Theatre episodes.
When I first discovered the pattern it was gratis, but now its author, Tonya Gunn, sells it on Ravelry for $1.99--an eminently fair price. Most decent candy-bars these days cost at least $2.00, except if you're buying them at an airport, where the price is more like $5.00.
I prefer to think of these gnomes as elves. Gnomes seem somewhat gnarly to me.
The facelessness of these elves/gnomes is what gives them character. Arguably one could embroider features, but that would probably inhibit the elves' emotional repertoire.