Last weekend, participating knitters willingly crawled from LYS to LYS in Rhode Island to experience the Great Rhody Yarn Crawl, and I hope they had a great time. Restrained by my superego, I visited only one emporium, Eneri Knits in Exeter, on Friday afternoon, wedging myself between appearances by the magical weaver and fiber artist Jan Doyle and local author Ann Hood, whose writing about knitting has earned her high praise well beyond New England.
Those of you who recall my post last summer about Eneri Knits, know that the shop is a new venture for Irene DeVerna, and of special interest to me. I think of yarn shops as much more than places to buy yarn and knitting accessories. The best of them fulfill an educational and social mission, and they have distinctive character, like any person or friend. At any rate, it's been fascinating for me to see how Eneri Knits is evolving, and I was able to sit down for a few minutes and chat with Irene about what's been going on in the past nine or so months. I'll devote a future post to this because there's a lot to say. However, since my last visit the inventory has grown impressively, and the positive energy has amplified.
Even though I was at Eneri towards the end of the day, there was a steady stream of people coming in to browse, chat, and buy. Irene told me that it had been like this all day--customers were even waiting outside the door before she opened at 10 a.m.! The next day was, in Irene's words, "fantastic! Saturday was so crowded in the shop, that my husband had to escape to the Celestial Café [next door] to get some air!"
It seems that a fine yarn tradition has been inaugurated--the Slater Mill Guild is planning another such weekend next year.
Exploring the art of knitting in Rhode Island, Connecticut, Massachusetts, New Hampshire, Vermont, and Maine.
Showing posts with label Jan Doyle. Show all posts
Showing posts with label Jan Doyle. Show all posts
Thursday, April 21, 2011
Saturday, April 9, 2011
On not following rules
Since childhood I've had a proclivity for ignoring the rules, whatever the rules may be. Yes, this contrarian streak seems to be hard-wired. It has gotten me into trouble sometimes, but more often than not, led to interesting discoveries that yield longterm, reverberating insights.
You may have noticed that I didn't post for the last day of 2KCBW--the Second Annual Knitting and Crocheting Blogs Week. I just grew tired of responding to the prompts, and the last one, inquiring as to my favorite places to knit, seemed a giant yawn, so I thought, Why bother? This is a fairly mild instance of Not Following the Rules. It also reminded me of why I hate board games.
In knitting, not following the rules has had a more creative effect. I've sometimes taken a fairly basic pattern and altered it to suit my taste. Usually this isn't a preplanned exercise, as in the most recent case, but something that evolves as I knit. About a year ago I began making the "Chic Bolero" pattern from Classic Elite Knits: One Hundred Gorgeous Designs for Every Occasion.
| Molly, alter ego. |
In knitting, not following the rules has had a more creative effect. I've sometimes taken a fairly basic pattern and altered it to suit my taste. Usually this isn't a preplanned exercise, as in the most recent case, but something that evolves as I knit. About a year ago I began making the "Chic Bolero" pattern from Classic Elite Knits: One Hundred Gorgeous Designs for Every Occasion.
Obviously this is a straightforward, unembellished pattern. When I sewed the pieces together, I realized the sweater was going in a new direction. As is my habit, I didn't use the specified yarns (sorry, Classic Elite), and once everything was attached, I decided the body of the cardigan needed to be longer. I added a section below the ribbing, creating eyelets. These will be threaded with a belt of some sort--either a ribbon or an I-cord. (My experiment was validated by the Knitting Goddess, who told me she encourages knitters to adapt professional designs to their own whims.)
While I'm on the subject of original designs, I will draw your attention to a beautiful new jacket from Richard Muto's expert hand. It's of woven mohair bouclé, sewn, knitted, fully lined, and bedecked with freshwater pearls and crystals! Here it is, modeled by Jan Doyle.
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| "Oceancrest," by Richard Muto. |
As you'll recall, I profiled Richard Muto, the Rhode Island Laureate of Fiber, a bit more than a year ago. You can read about him there, and on his Facebook page, or you can catch him at the Carolina Fiber and Fiction Center, where he teaches spinning. Because Richard is such a force in my world of handcrafted textiles, I will continue to provide you with periodic updates on his design career and teaching gigs.
Finally it's spring in Rhode Island. We planted a huge fig tree on the hill,
moved some of the dwarf citrus trees to the deck, and have been luxuriating in the sudden influx of sun.
Tuesday, October 12, 2010
Multifaceted
The historic Octagon house of Carolina Village, Richmond, Rhode Island, now shelters the Carolina Fiber and Fiction Center.
Inside, Jan Doyle and Richard Muto teach spinning, weaving, and knitting!
For more info see the CFFC's Facebook page, or contact Jan at vavlkyrie@cox.net.
Inside, Jan Doyle and Richard Muto teach spinning, weaving, and knitting!
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| Jan Doyle and Master Weaver Certificate Candidate Anna Hallstrom. |
| Richard Muto's most entertaining yarn-spinning class meets on Saturday mornings. |
| Jan's amazing woven robes adorn the walls of Octagon House. |
| Jan and student working from the bottom up. |
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