Showing posts with label The Curse of the Boyfriend Sweater. Show all posts
Showing posts with label The Curse of the Boyfriend Sweater. Show all posts

Monday, May 24, 2010

These are a few of my favorite things...



Gentle readers,
"The Curse of the Boyfriend Sweater" has concluded, and I now return to my usual postings of nonfiction knitting-in-New England items.  I enjoyed creating the story--my method was the Victorian model of serial fiction, written to deadline--but while involved with that, I was also busy sussing out other topics and leads. Soon to come from this period of fact gathering will be posts about an alpaca farm in Rhode Island and a trip to Massachusetts yarn country. I was heartened to see, however, that while "The Curse" was ongoing, my readership spiked and the total readership outside the U.S. increased to twenty-four countries.

It is fascinating for me to know that there are some in Europe, Asia, and Africa who read this blog, and I am curious to learn what drew them to it. Are you New England knitters far from home? Are you Europeans/Africans/Asians who are interested in the knitting culture of the world?  If any of you care to drop me a line via this blog's comments option (or the email address on my profile page) to let me know, I would be most grateful.  Similarly I'm also interested in hearing from readers in North America, whether Canada, the U.S., or the West Indies, who are outside the regional scope yet read the blog regularly.  What is it that you enjoy?


Meanwhile, I will use the rest of the this post to update the world about the prodigious accomplishments of the Langworthy Library Knitting Association.  The sock photo at top is of the five amazingly gorgeous pairs Denise knit during April and May. Next, a photo of Julia (and a peek at Jane), both wearing their handknitted sweaters.  Julia's is a top-down design in an alpaca-wool blend that requires minimal seaming.  Her next project--same pattern, I believe--is on the table before her.


Finally, here's Jane wearing a beautiful pink cardigan.  The shocking thing about it is...this was the first sweater she ever made, and she knit it when she was twelve.  How awesome is that?  The sweater is still in gorgeous condition, more than thirty-five years ex post facto, and the work is stunning.  Below, a detail.


I shall close with two noteworthy items.  First, WWKIP approaches: World Wide Knit In Public Day is the second Saturday in June. What will you do to celebrate?  The Langworthy Knitters will meet at the library, rain or shine, and go at it from 10-2 on June 12th. Please join us, and we'll give you a sticker badge.  If you want to learn to knit or need knitting help, we are there for you!  24 Spring St., Hope Valley, Rhode Island.  It's also the date of the annual library book sale (need I say more?).

Second, this month marks the first anniversary of www.Knitting New England.blogspot.com! How time flies when I'm having fun! Please send suggestions for future posts. And yes, I'm actually going to Maine in September, maybe earlier, with at least one stop in New Hampshire.

Yours gratefully,
smw and friend (below)

Thursday, April 29, 2010

The Curse of the Boyfriend Sweater, Part Three


The Curse of the Boyfriend Sweater
a continuing fiction

© S. Moss-Ward, 2010
All rights reserved. This may not be reproduced, except with permission.



Part Three
I didn’t want to tell Maxine my suspicion that the Curse of the Boyfriend Sweater was playing itself out belatedly in her and Guy’s relationship.  If the Curse applied to them, it was so delayed that it was beside the point.  Although maybe the thing about curses is that they can endure for, like, eons. 
My parents had had plenty of time to live in their relationship.  They were, after all, middle-aged, which means basically at the tipping point into decline, and Guy was always hammily bemoaning the fact that his life was half over.  Maxine called him The Gloomy Guy when he got like this, and she tiptoed around him, trying to make everything better, which was decent of her but futile, not to mention pointless.  I know she was worried, because she started telling me during a knitting session, after a really quiet dinner, when we all just sat there shoveling in the food and listening to our silverware scrape the plates, about how when Guy was in one of his gloomy spells he curled up into a metaphorical ball and was unreachable.
“Maybe you shouldn’t worry so much about him, Max, and just concentrate on what’s important to you,” I said.  This was a piece of advice that my therapist, Dr. Burger had offered a few times when I was kvetching about Maxine, and while I understood what she meant, I hadn’t actually put her advice into practice.  I was curious to see if it was something that might make more sense to a much older person, like my mother.
“Well, that’s easy for you to say,” Maxine replied.
I shrugged.  “Just a thought.”
I wondered if Guy had been so withdrawn during dinner because he was preoccupied with work, or with something else.  Like Chantal Remercier, par exemple.  He had looked so incredibly guilty at Starbucks.   I guess that having an affair in your mind is almost as powerful as the real thing.  Maybe even more powerful.
But honestly, what would a woman like cosmopolitan Chantal Remercier see in my tubby old dad, beyond his professional credentials?  In the academic realm he had a lot of clout, apparently—he held an endowed chair, and was always going to conferences or giving guest lectures, and he’d published a lot about Balzac and Henry James, both of whom, to be totally honest, he sort of resembled.  Then there I was, suddenly, barging in on the meeting of the minds (ha!) in all my chunky, shapeless glory, daddy’s not-so-little girl.  How’s that for a wake-up call, Chantal? This man comes with Baggage!
I sighed.  I felt sorry for Maxine, and for Guy, who was verging on pathetic.  Maxine was a lot of things, but she was never pathetic, I’ll grant her that.  She is genuinely talented in many ways, not just knitting.  She has a degree in Library Science and used to work in Rare Books before I was born.  She can read five languages and speak three.  She plays the cello well.  She’s pretty in a natural kind of way, and hasn’t gained more than a few pounds since the day she got married.  Next to me she looks so petite and trim.  I just wish that 99% of the time I didn’t detest her.
That’s what I tell Dr. Burger:  I wish I could like my mother.  Why can’t she just be decent to me? 
I see Dr. Burger on Thursdays after school; she has an office on Waterman Street in a building that used to be someone’s house.  I observed this casually, once, at the start of a session.  I said, “Maybe before this building was turned into offices, the room we’re in was the living room” (it has a fancy marble fireplace), and she said, “Perhaps we should explore that,” and I said “Why?” and she said, “Why do you think?”
That was when I’d just started therapy and didn’t yet know that therapists will grab onto a random comment and try to make it into a big deal.  Now I don’t waste time with chitchat when I come in for my session; I go straight to the point.  Mostly we have been discussing why my mother is the way she is.  Dr. Burger says she is probably conflicted.
“About what?” I asked.
“From what you’ve said,” she said, “your mother wants to be both your mother and your friend.  That’s why she wants you to call her Maxine, instead of Mom, for example.”
I pondered this for a bit.  “Well, if she’s trying to be my friend, she isn’t doing such a great job—you know, constantly making remarks about my weight, my schoolwork, about Ben.  It hardly makes me feel friendly.”
“Well, what does that remind you of?”
“I don’t know.”
“How about the way girls behave in school?” she suggested.  “Cliques, competition, that sort of thing.”
I thought this was totally ridiculous.  “No way,” I said, “Maxine is not like girls at school, she’s my mother, for crying out loud. I can’t compete with her, she’s in a whole different place from me.  She’s way better than me at a lot of things, like knitting just to mention one, because she’s had so much more practice.  It wouldn’t even occur to me to compete.”
“Maybe not to you,” said Dr. Burger.  “And you’re right, you don’t want to compete with her.  But maybe she competes with you.” 
“For what?” I asked.
“You tell me,” said Dr. Burger.
I started to laugh uncontrollably, so hard that tears leaked from the corners of my eyes.  “I’m sorry,” I gasped out, “but that is just so …not true.  I don’t know why I think it’s so hilarious….I just can’t see it…as…anything…. anything…but…ridiculous.”
Then my time was up.
A few days later Ben and I were sitting outside the pastry café in De Pasquale Square, having cannolis and iced cappuccinos, a tasty after-school pick-me-up.   We enjoy De Pasquale Square and surroundings for the cheese-ball “European” feel with the fountain and little café-ringed plaza, for its people-watching advantages, and the variety of food options—pastry, pizza, pasta, whatever.  I told him what Dr. Burger had said about Maxine, and he said, “Well I don’t know about the competition thing, but she could be jealous.”
“How sick is that?  Why the hell would she be jealous?”  I found myself almost yelling these words.
“I really can’t say,” Ben said slowly.  “It’s just that from what you tell me she’s kind of like my sisters; they’re always fighting about one of them having something the other doesn’t, and Lucy can’t keep away from Betsy and Betsy can’t keep away from Lucy, even though my parents tell them to back off; so they cool it for a while and then something incredibly petty happens and they’re at each other again.”
Because I respect Ben’s insights, I decided to meditate on this, though I didn’t admit it to him.  Maybe I had been too fast to laugh at Dr. Burger’s words, which Ben’s observations somewhat supported.
Then we compared answers to our French homework for the next day, and began collaborating on the essay we had to write (independently) over the weekend:  If I Could Be Any Character in Any One of La Fontaine’s Fables, I-X.  We got extra points for translating it into French, but first we had to do the English version. 
After we’d both had three cannolis and two coffees, and had written more than half the paper, it was starting to get dark and my cell phone rang. Maxine, wanting to know “where the hell” I was.  Why was she so angry?
“In library hell,” I lied.  “I have to research a term paper.”
“You could have called to tell me.”
“Sorry,” I said in my most unsorry tone of voice.  "I’m leaving now.”  I clicked off and started to stuff my backpack.
Ben asked, “Why didn’t you tell her the truth?”
“She doesn’t have to know everything I do.”
Ben said, “That’s her job, sort of.  To know where you are.”
I said, “Oh. My. God.  Whose side are you on?”
He said, “It’s not about sides.”
I said, “You’re right.  It’s about…it’s about… respect.  If she respected me more, she’d know I’d be home in time for dinner.  That’s what I told her this morning before I left the house.”
Ben laughed and shook his head in an infuriating way, as if to suggest he was above it all, and said he was going to Venda Ravioli to get some olives to bring home, a surprise for his mom.  Did I want to come?
I thought for a few seconds before saying no, I had to be going, and caught the bus to Kennedy Plaza without him.  I felt upset with him, almost betrayed, and, at the same time, strangely isolated.  
Of course, sitting on the bus you’re in that kind of twilight zone mode of isolation anyway, when you make no eye contact yet are highly aware of your fellow passengers—who smells boozey, who’s snoring, who’s talking on a cell, whose packages are jamming into your legs. I thought about Ben’s doing that nice thing for his mom, buying her the special olives she likes. Maxine never seemed impressed by what I gave her, not that I gave her a lot of stuff, but like on her birthday or Mother’s Day, she’d take whatever little thing I’d made or bought and say, “well isn’t this something,” and it would be displayed for a few days on the living room mantelpiece, and then it would somehow disappear.
I pulled my knitting from my backpack.  Ben’s scarf was done and I was halfway through the cap.  His birthday wasn’t for a few weeks, but I could hardly stand the suspense.  As I worked the yarn over the circular needle, I wrote a story in my mind of how it would be when I finally gave him The Present.  I’d do it casually so it would really be a surprise, like I’d phone him on a Friday night around ten and ask if he wanted to go with me the next day to the community garden where we did the service stuff our high school required. The “servitude,” as we called it, wasn’t so bad, really—at least you could be outside, and sometimes there were cute neighborhood kids who wanted to help you dig, or water, or plant seeds.
So Ben and I would go to Olneyville on the bus, and put in some hours, and at some point, maybe when we took a break, I’d pull a couple of Snapples out of my pack and give him a Kiwi-Strawberry (his favorite), and then I’d pretend I discovered something else and I’d hand him the neatly-wrapped package.
“What’s this?”  he’d say.
“Oh, just something I made.”
“For me?”
“Open it.”  I’d busy myself so he didn’t feel like I was watching him slyly.
“Oh, wow.  You made these for me?”
Then I’d smile a little and say, “Well, duh,” but without sarcasm.
“These are incredible.  I can’t believe you made these for me! And the color is just so great!”
“Happy birthday, Ben,” I’d say, and I’d hug him gently.  And he’d hug me back, and…
The bus stopped and the doors whooshed open, and the driver cut the motor.  We were at Kennedy Plaza.  I stuffed everything into my pack and got up too fast, dropping my transfer on the floor.  It floated under the seat.  A lot of people were lined up behind me and they all seemed to be bearing down, impatient and in a hurry, as I clogged the aisle, down on my hands and knees, trying to retrieve that very flimsy little piece of paper.

Thursday, April 22, 2010

The Curse of the Boyfriend Sweater, Part One




The Curse of the Boyfriend Sweater
a continuing fiction
© S. Moss-Ward, 2010
All rights reserved. This may not be reproduced, except with permission.

Part One
Mother and I were knitting, as usual, after dinner, and as usual I was thinking about what I’d rather be doing than sitting here with her, needling away, but as my existence is completely stinko at this particular moment as it has been for an amazingly long time, there was no better option.  Face it, Bee, I told myself, you have no life, except what happens in-between your ears.  If you go to your room and read or do homework or both (and who admits to doing that kind of crap on a weekend?) or call Ben for a marathon chat (impossible, since he is in Boston this weekend for his cousin’s bar mitzvah and has told me not to try; he will be very occupied), she’d flip into Hurt and Injured Mode, where she goes all silent/looming depressed and makes me feel that there is this Brewing Problem that must be addressed or else it will become a Big Fucking Deal, and when you ask her what’s the matter she says “Nothing” in a tiny quiet voice. 
Instead I decided to take the bull (cow, actually) by the horns, so I said, “Max” (because ever since I turned sixteen she has insisted I call her by her first name, Maxine, just to add another factoid to the list of her irritating quirks and mannerisms), “was your wedding dress the biggest project you ever knitted, or have you ever done anything bigger than that?”
“O-o-h,” she said wonderingly, kind of singing the sound, as if she had to dredge up the information from some deeply buried memory bank.  This was not the case, actually, since there is nothing that Maxine thinks about more than herself, and she is an expert on her life, although I might be the next-most-expert person on her life, since I have been hearing about it forever.  Or maybe my father. “I think so.  Because by the time I was your age, I’d already knitted a couple of queen-sized bedspreads—in crochet cotton, on…hmm…number two needles, I think.  Maybe number ones, I’m not sure.  A kind of lace-sampler pattern—must have been twenty or thirty different squares, all cleverly grafted together so that the joins were practically invisible. The lace samples were edged by strips of embossed patterns, and then they fell straight to the floor in an overall, very open lace that looked something like a fishnet.  So light and airy.  Lots of yarn-overs.  That took the better part of the summer, I think.  I’d do a couple of hours in the morning before I went to the day camp where I was a counselor from eight to six, and then I’d work on it after I had dinner and practiced the cello for an hour or so.  It took a long time, if I recall correctly.  I think maybe from early June to the middle of September.”
I noticed my hands were clenched tightly around the wooden needles, and I was slipping stitches from left to right rather forcefully.
“How long did the wedding dress take?”  I like to raise this topic whenever we need a “time out.”  It brings her to a pleasant era, when she was just beginning her rise to glory, already showing so much promise that people were in, like, total awe.  I have heard the wedding dress story in many different forms, at many different times.  I have often wondered if she was subtly trying to influence me to knit one myself. (Barf.)
“You know, Barbara dear, it’s hard to remember, it’s been so long…plus, I started it years before I married, just for the fun of it, and it was made in pieces over time.”
Just to fill you in:  my mother, Maxine Goodman, was practically born knitting.  Our house is covered, literally, with demonstrations of her skill, ranging from recent afghans and pillow-covers, to stuff dating back to her preschool years.  (Really.  There is a framed pair of moth-eaten red mittens in a shadow box thingy hanging in the back hall of our house.  She made these when she was three or four, if we are to believe her.  Do we believe her?)
There are photos of Maxine and my father, Guy, on their wedding day, displayed on a wall in their bedroom, and one in a heavy-duty silver frame placed smack in the middle of the lid of the piano.  They both look like the hippies they still are, deep down, except more blatantly so because that was the style then.  Maxine’s hand-knitted wedding dress has leg-of-mutton sleeves and a square neckline; it is empire- waisted and cascades to her ankles in drapey folds, where the bottom meets a thick lace border.  The lace on the border, the bodice, the skirt, and the sleeves, is heavy and beautiful.  Her feet are bare and she has a circle of daisies on her head.  She’s gazing up at Guy, who’s wearing a striped, open-necked shirt, Jesus hair and beard, bell-bottom paisley slacks, and a big-buckled belt.  He’s barefoot, too. 
I always find it helpful to look at these photos when I am really angry with them both. (Often.)  It reminds me that Pride Goeth Before a Fall and all that crap.  Sort of like what T.S. Eliot says in (the world’s greatest poem, I’d argue) The Waste Land, about “O you who turn the wheel and look windward,/ Consider Phlebas, who was once handsome and tall as you.” 
Guy, for one, has quite a gut now that he’s in middle age, and even though he tries to suck it in and stand tall, nothing except maybe a million crunches a day plus bariatric surgery would repair the damage.  I know their little delusion, their little folie à deux, cannot last all that long, and eventually they will be unmasked, perhaps by me, perhaps by someone else.  Maxine will morph from domestic goddess and super-talented-at-everything person to Madame Defarge hunkered over her crappy stocking next to the guillotine, and Guy will be revealed for the Wizard of Oz he is, the world’s biggest fake, whose jollies now are porn on the Internet (like he thinks no one knows about this!) and the admiration of a few pathetic graduate students who have the bad luck to be his advisees.
Maxine’s hair is graying.  I told her she should have it colored and she said she wouldn’t pay anyone to do something she could do herself, and besides it was natural and why should she make it unnatural?  I said, “Because you would look twenty years younger.”  This was an exaggeration, but I deliberately exaggerated to make a point. 
“My body is very young, and my mind is ageless,” she said softly, but with great conviction.
This reminded me of how last week, when I was trying to get into the upstairs bathroom, she burst out after a shower in a cloud of steam and flung off her towel like a streaker, and ran past me, her boobs wobbling in a totally disgusting manner, laughing wildly, saying “Does this look like the body of a forty-six-year-old woman?”
Well, duh. 
“No,” I called.  “It looks like the body of an eighty-six-year-old woman who’s in really good shape.”
“You know, Barbie,” she said, knowing how much I hate that nickname, but that is part of her passive aggression, “you have no perspective on the human body.”
“That’s because I’m fat,” I said.  “Fat people think they’re normal, just like thin people think they’re fat.”
“You said it, not I.”
“It’s a fact.  Body Dysmorphic Disorder.  I don’t mind.  It’s reality.”
“You should mind.  It’s very distressing to see how much you eat.”
“So,” I said, “did you ever hear of this legend or whatever, called The Curse of the Boyfriend Sweater?”
“Don’t change the subject, Barbie.”
“I have nothing to add to your observation.  Did you ever hear of this legend?”
“Yes.  Why?  Do you have a boyfriend?  Are you going to knit him a sweater?”